Anglo-American novelist and playwright, best known for his stories concerning Berlin in the early 1930s. Isherwood's novels were based largely on his own life. Many of his famous literary friends appeared in his books under different names, including W.H. Auden, Stephen Spender and Virginia Woolf.

"I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed."
(from Goodbye to Berlin, 1939)

Isherwood was born in Disley, Cheshire, as the son of an army officer, who was killed in World War I. The family had lived in the neighbouring village of Marple since the sixteenth century, when, as successful farmers, they were able to buy 'The Hall' - an Elizabethan mansion - standing in a big waterlogged park. In his childhood Isherwood travelled around with his father's regiment. In 1914 he was sent to St. Edmund's preparatory school, where he made friends with the future poet, W.H. Auden. He studied at Repton School and in 1925 at Corpus Christi Cambridge, without taking a degree. After Cambridge he worked for a time as a secretary to André Mangeot, a French violinist, and earned also his living as a private tutor. From 1930 to 1933 he taught English in Germany. Isherwood's first novel, ALL THE CONSPIRATORS, appeared in 1928. It was followed in 1934 by THE MEMORIAL, both exploring English middle-class malaise in the 1920s.

"The audience took the fights dead seriously, shouting encouragements to the fighters, and even quarrelling and betting amongst themselves or the results. Yet nearly all of them had been in the tent as long as I had, and stayed after I had left. The political moral is certainly depressing: these people could be made to believe in anybody and anything."
(from Good-bye to Berlin, 1939)

In the 1930 Isherwood wrote three prose-verse plays in collaboration with his old school friend W.H. Auden. Prolonged visits to Germany between 1929 and 1933 provided Isherwood with the material for his best-known fictional work, popularly entitled THE BERLIN STORIES, but in actuality a pair of loosely structured novels: MR NORRIS CHANGES TRAINS (1935) and GOODBYE TO BERLIN (1939). The depiction of the glittering and grotesque metropolis of Germany was based on his observations in the decadent Weimar Republic in pre-Hitler years. Goodbye to Berlin is considered among the most significant political novels of the 20th century. Later the stories inspired the world famous musical Cabaret. In 1938 Isherwood started with Auden a journey to China, and recorded in JOURNEY TO A WAR (1939) his experiences in the country ravaged by civil war and a Japanese invasion. With Auden he emigrated to the United States, becoming an American citizen in 1946.

Isherwood settled in 1939 in southern California, where worked as a teacher and wrote for Hollywood films. On the eve of the World War II, he turned into pacifism. During the war years in 1941-42 he worked at a Quaker hostel in Pennsylvania with refugees from Europe. In 1943 he became a follower of Swami Prabhavananda, producing several works on Indian Vedãnta in the following decades.

Isherwood's later books include PRATER VIOLET (1945), a portrait of an Austrian Jewish filmmaker in pre-war London. THE WORLD IN THE EVENING (1954) was a study of a young writer who attempts to understand the failure of his two marriages and his homosexual needs. A SINGLE MAN presented a single day in the life of lonely, middle-aged homosexual man, whose partner dies. In the retrospective autobiography, set in the 1930s, CHRISTOPHER AND HIS KIND (1977), Isherwood examined his complex relationship with Auden - his friend had died a few years before the book was published. KATHLEEN AND FRANK (1971) was a double portrait of his parents, as seen through his mother and father's letters.

With his guru Swami Prabhavananda Isherwood translated from the Sanskrit The Bhagavad-Gita and The Yoga Aphorism of Patanjali. Later he wrote a biography of Ramakrishna and his disciples (1965). In MY GURU AND HIS DISCIPLES (1980) Isherwood broke from the strictly chronological format to create a spiritual autobiography wherein the values of Vedanta Hinduism counter his life as a Hollywood scriptwriter.

From 1959 to 1962 Isherwood taught as a guest professor at Los Angeles State College and the University of California at Santa Barbara. In 1965-66 he taught at the University of California at Los Angeles. In 1975 he won the Brandeis Medal for Fiction. With his explicitly autobiographical works Isherwood become in the 1970s a leading spokesman for gay rights. He was one of the first internationally known figures to admit that he was homosexual. Isherwood died in Santa Monica, on January 4, 1986.

For further reading: Christopher Isherwood by S. Wade (1991); Christopher Isherwood: Last Drawings by D. Bachardy (1990); Isherwood's Fiction by L.M. Schwerdt (1989); Christopher Isherwood by J. Lehmann (1987); Christopher Isherwood by C.J. Summers (1980); Christopher Isherwood by B. Finney (1979); Christopher Isherwood: A Reference Guide by R.W. Funk (1979); The Auden Generation by S.Hynes (1979); Interview with Christopher Isherwood by H.H. Broun (1977); Biography of Christopher Isherwood by J.A. Fryer (1977); The Diary of Virginia Woolf, Vol 5: 1936-1941 (1977); Christopher Isherwood by F. King (1976); Christopher Isherwood by C.G. Heilbrun (1970) - See also: Marguarite Duras

• ALL THE CONSPIRATORS, 1928
• transl.: THE INTIMATE JOURNALS OF CHARLES BAUDELAIRE, 1930
• THE MEMORIAL, 1932
• THE DANCE OF DEATH, 1933 (with W.H. Auden)
• MR. NORRIS CHANGES TRAINS, 1935
• THE ASCENT OF F6, 1936 (with W.H. Auden)
• SALLY BOWLES, 1937
• transl.: A PENNY FOR THE POOR, 1937 (by Bertold Brecht)
• LIONS AND SHADOWS, 1938
• JOURNEY TO A WAR, 1939 (with W.H. Auden)
• GOODBYE TO BERLIN, 1939 - Cabaret - the story's genesis in the film Cabaret (1972) was based on this book, which in turn inspired Fred Ebb-John Kanders' Broadway musical from John van Druten's play I am a Camera, filmed in 1955
• transl: THE SONG OF THE GOD: THE BHAGAVAD-GITA, 1944 (with Swami Prabhavananda)
• ed.: VEDANTA FOR THE WESTERN WORLD, 1944
• PRATER VIOLET, 1945
• transl.: SHANKARA'SCREST-JEWEL OF DISCRIMINATION, 1947 (with Swami Prabhavananda)
• THE CONDOR AND THE COWS, 1949
• film script: The Great Sinner, 1949, with Ladislav Fodor, dir. by Robert Siodmark, starring Gregpry Peck, Walter Huston, Ava Gardner, story based loosely on Dostoyevsky's novel The Gambler
• ed.: VEDANTA FOR MODERN WORLD, 1951
• transl.: HOW TO KNOW GOD, 1953 (with Swami Prabhavananda)
• THE WORLD IN THE EVENING, 1954
• ed.: GREAT ENGLISH SHORT STORIES, 1957
• DOWN THERE ON A VISIT, 1962
• APPROACH TO VEDANTA, 1963
• A SINGLE MAN, 1964
• RAMAKRISHNA AND HIS DISCIPLES, 1965
• film script with Terry Southern: The Loved One (1965), dir. by Tony Richardson, based on Evelyn Waugh's book
• EXHUMATIONS, 1966
• A MEETING BY THE RIVER, 1967
• ESSENTIAL OF VEDANTA, 1969
• KATHLEEN AND FRANK, 1971
• FRANKENSTEIN: THE TRUE STORY, 1973 (with Don Bachardy)
• CHRISTOPHER AND HIS KIND, 1977
• MY GURU AND HIS DISCIPLE, 1980
• PEOPLE OUGHT TO KNOW, 1982 (with S. Mangeot)
• THE WISHING TREE, 1987
• WHERE JOY RESIDES, 1989